I saw some art yesterday.
It fucking pissed me off. I didn't know what to do with it. Let's make matters worse. By chance I happened to be introduced to the artist. He said something about coming to view his work hoping for a revelation.
It made me very angry.
How dare you produce and have a major show that consists of very abstract work and as creator not know the secrets contained within? How can you impart any wisdom to others when they in turn attempt to take it in?
I don't know where I'm going with my work. I don't know what it is. I don't know what I'm doing. But I sure as hell would hope to have some fucking revelation of sorts before showing the work.
It seems not to be the case.
We are all made to be fools.
Life demands it.
As it was explained to me, our creations are our children. In raising kids, we don't know who they'll become. It about the day to day discovery. The same with art.
This does not sit well with a strong analytical capricorn.
Yet I know that my feeling side is equally as strong. Therefore the continual battle.
My work and my heart are in the same place. I'm trusting and digging. Opening. Taking risks. I'm terrified most of the time. And I haven't a fucking clue what I'm doing, where I'm going, what it all means.
I am stretched so thing. So raw. I feel overly sensitive. And a part of me wishes I never began this journey. This awareness crap is for the birds.
Sometimes I feel trapped because I can't do anything else but move forward. It's a continual steady motion into unknowing.
Thinking of my painting...I am angry.
I'm angry that what I'm learning I wasn't dealing with 10 years ago while in school. I'm angry that I'm blinded to the energy in work. I'm angry that I can't see my work for what it really is.
Yes, I am most angry that I can't see my work for what it really is. I'm angry that my demons blind me to what is in front of me.
My art. My heart. It's all the same.
And it makes me sad.
I'm almost 47 fucking years old and I'm just now beginning to learn this stuff? Where am I going? What does each mark I place on paper mean? Where does it go? Why is it there?
Why should I care?
Yeah. I'm really scared today.
Yesterday was a pivotal day and it shook me.
Standing in the Museum of Modern Art, looking at these paintings, my face was wet and this time...I wasn't sure why I was crying other than I was carrying a buttload of emotion.
But I do know why. If I close my eyes and am honest with myself, I know another reason for the tears. In these paintings...I saw my work reflected back at me. I saw my potential.
And I don't understand it.
And again, it scares me.
Art needs to be done from the belly...the cunt...the cock. I always thought I had. But it's from my head. Slowly over the years I've opened to creating from the place the fire resides. In these last few months, it's heightened. A frenzied push to that edge. What are limits? The edge. That non-negotiable place we dare not step over. Maybe the edge continually gets pushed. The stronger we become, the more we see, the larger our heart...the edge moves.
The work.
My insight last week occurred while I was at work. I was looking at
this and it struck me. At work, and again tears. Isn't there a day that goes by without tears? Not anymore.
I stared at the image and saw the truth. I knew it was truth because it was a familiar voice I first heard during my thesis year. At the time it felt too big and too terrifying so I silenced it. I chose to rest in my current laurels. The comfortable place. I was loved. My work was adored.
My epiphany is that I have been dumbing myself down with my work all these years. I've known that I needed to go to the ledge. Seeing the view, I dared not go. I already knew I was a fucking freak. If I pushed my work in the direction it ached to go, my freakiness would be cemented and I would never be able to run from it.
If I chose not to play it safe, no one would like my work. No one would know what to make of it. What if I couldn't understand it myself? What if we all were puzzled and made to feel uncomfortable by my paintings? What if, as I saw yesterday, there were no revelations to attain or offer up?
So I took the road most travelled knowing it would please everyone else. My work has been a milkshake, gulped easily through a straw. No chewing involved. In doing so, I would access the false feeling of fitting in. For a little while, in the midst of my paintings, I would feel loved.
Fear. I speak of fear often. It seems I carry it on my shoulder. Fear has become a part of my life. I can't deny it. I fight it. And at times, I succumb to it.
I don't think we ever get rid of fear. Maybe it is as crucial as the blood coursing through our arteries. Fear drives us to do what we may not do otherwise.
One of the most pivotal lines (out of a few) in
Shortbus that still haunts me is at the end of the film, Justin Bond performs "In The End" written by Scott Matthew. He sings "in the end, you'll find your demons your best friends."
To embrace those demons that carry the fear...maybe life is all about learning how.