Although I've now relocated to Providence RI and am slowly settling in, I'm pleased to announce a new show, "The Space Between", opening in Seattle this week on Capitol Hill. Sadly, I can't make the opening but will be there in spirit.
Thursday, May 10 - Saturday, June 9
The Blindfold Gallery
1718 E Olive Way, Ste A
Seattle, WA 98102
Opening, Thursday May 10 from 6 - 9 pm
website:
www.blindfoldgallery.com
The Space BetweenWe are drawn to others for various reasons such as shared interests, mutual attraction or physical circumstance. No matter how well two people may appear to fit, it is the space between where the unspoken differences reside. It can be a vast chasm filled with deafening silence, grief or anger. It can be a space that permeates with restful stillness, lust, excitement, love or passion.
My ongoing meditation has been on the space between the two.
I fell in love with b&w photography back in 1982 when I was required to take a b&w darkroom course. That love pushed me into working in a custom lab for six years, spending hours in the darkroom processing work. The education I received in viewing a multitude of images was invaluable to structuring my visual sensibility.
When I left the lab, I stopped taking photos because of the expense. Every day, I'd long to capture images but didn't have the finances to engage in such a practice. In 2006 I purchased my beloved little Lumix TZ1. My camera is always with me. I'd shoot with no other intent but to take hold of a scene.
It was only when I began painting the viaduct that the camera also became a tool for painting as I'd work from the photos of the crumbling structure. And I was still taking photos simply for the love of it.
A few months ago as I was going through my photo library of over 20,000 images, I began to notice how the paintings reflected the photographs and vice versa. My imprint, my preference for light and composition played into both mediums. It didn't matter if a photo was taken four years before a certain painting. They held my mark.
Not once did I have the desire to print or exhibit these photos. When approached for this show, I feared that in doing so my photography would become self-conscious. Other than periodically capturing scenes to paint, I liken the bulk of my photography to doodling - rapidly moving pen on paper. It is my sandbox where I can play with no responsibility. But the possibility of pairing the work heightened my curiosity and so here I am.